Heritage Moments
Blacksmithing
Tuesday, 29 April 2008 19:00
Initially, early settlers utilized iron deposits found in bogs along North Carolina’s coast. As exploration expanded, large deposits of iron ore were discovered in the mountains several hundred miles to the west. In fact, by the early 1800s, the range we now refer to as the Great Smoky Mountains was known throughout the growing United States as the Great Iron Mountains.
The combination of abundant iron ore and vast tracts of timber in close proximity to one another gave our region a natural ability to produce a large variety of iron products. Where there is little coal, like in western North Carolina, charcoal is used to smelt iron ore. Huge quantities of wood were required to power the iron-making process. One manufacturer suggested that to keep a large iron furnace in continuous and sustained operation for one year, seven to ten thousand acres of mountain timberland were required to supply the needed fuel--and, notably, there were hundreds of these furnaces located in the region in the early 1800s. Predictably, this rapid and extensive removal of iron ore and forestland had a dramatic effect on the environment, leaving the scars of mining along with barren, treeless landscapes.
"[The Cherokee] have acquired a knowledge of most of the mechanic arts known by their white neighbors, and not only do their own blacksmithing, stocking of guns, and coopering, but do much work of that description for the whites." ~Quoted from Memorial of the Cherokee Indians Residing in North Carolina: Praying the payment of their claims, agreeably to the 8th and 12the articles of the treaty of 1835, June 25, 1846
While the Cherokee and other Indian tribes had forged decorative works out of silver and gold for many years, they had not developed the ability to process iron. That skill arrived with European settlers. Soon every pioneer community had its own blacksmith. Forging iron into tools was a necessity as early colonists carved their existence out of an untamed frontier. Additionally, the ability to make weapons out of iron gave settlers a technological advantage over frequently hostile native populations. It is not an exaggeration to suggest that iron tools and weapons made mere survival possible for early European settlers.
Blacksmithing was essential, and the trade touched virtually every aspect of pioneer life. Families that settled in distant, remote corners of the mountains were often miles from the nearest blacksmith. Out of necessity, these remote, independent farmers learned the trade themselves, often using their own anvil and forge to make and repair tools and household items. objects produced included shoes for mules, oxen and horses; farming tools like plows, rakes, and hoes; guns and traps for hunters; and general use items like axes, hammers, nails, pots, pans, utensils, and knives. One example of the value of the village smith occurred during the Civil War. When a Watauga County blacksmith was drafted for military service, his community petitioned Governor Zeb Vance to reassign him and allow his return so that “farming and other work could continue.”
Early in the twentieth century, as more modern and efficient methods of metallurgy were developed, old time smithing slowly disappeared. Many blacksmiths, desiring to preserve and maintain their traditional practices, began producing decorative, ornamental ironwork. Soon, Appalachian iron creations were of such quality, and in such demand, that many pieces found their way to markets in the Northeast and beyond.
Today it is common to see traditional blacksmiths demonstrating their talents at fairs, festivals, and craft shows throughout the region. Centers like the Penland School of Craft and the John C. Campbell Folk School pass on the legacy through instructional classes and craft education. Another interesting note of mountain folklore: the most famous Appalachian pioneer, Daniel Boone was also a blacksmith. Many of his descendants settled in Yancey and Mitchell counties and continue to practice the trade. In the 1930s, Daniel Boone VI was selected by Colonial Williamsburg to produce reproductions of eighteenth-century iron furnishings for resale. Blacksmithing, though changed over the centuries, still survives as an important part of our mountain heritage.
For more information please see the following:
- David Brewin and Tyler Blethen, By Hammer and Hand: Blacksmithing in Western North Carolina
- Tyler Blethen, ed., Irons in the Fire
- Donald E. Davis, Where There Are Mountains
- Kenneth H. Dunshee, The Village Blacksmith
- Alex W. Bealer, The Art of Blacksmithing
- John Allen Davidson, Jr. Blacksmithing in Western North Carolina: a Folklore and History Project at an Appalachian Museum
Online Resources
- The John C. Campbell Folk School
- Georgia Public Television series “Forge & Anvil”
- Penland School of Crafts
Below is the Digital heritage Moment as Broadcast on the radio: